Researcher
Esther Coorevits
- Disciplines:Theatre and performance, Art studies and sciences
Affiliations
- Department of Art, music and theatre sciences (Department)
Member
From11 Oct 2013 → 23 Sep 2018
Publications
1 - 10 of 18
- The influence of performing gesture type on interpersonal musical timing, and the role of visual contact and tempo(2020)
Authors: Esther Coorevits, Pieter-Jan Maes, Joren Six, Marc Leman
- Exploring the effect of tempo-changes on violinists’ body movements(2019)
Authors: Esther Coorevits, Dirk Moelants, Pieter-Jan Maes, Marc Leman
Pages: 87 - 110 - Expressive timing control in music(2018)
Authors: Esther Coorevits
Number of pages: 1 - Musical Instruments, body movement, space, and motion data : music as an emergent multimodal choreography(2017)
Authors: Federico Visi, Esther Coorevits, Rodrigo Schramm, Eduardo Reck Miranda
Pages: 58 - 81 - Decomposing a composition : on the multi-layered analysis of expressive music performance(2016)Volume: 9617
Authors: Esther Coorevits, Dirk Moelants, Stefan Östersjö, David Gorton, Marc Leman, Richard Kronland-Martinet, Mitsuko Aramaki, Solvi Ystad
Pages: 167 - 189 - Analysis of mimed violin performance movements of Neophytes: patterns, periodicities, commonalities and individualities(2016)Series: Lecture Notes in Computer Science
Authors: Federico Visi, Esther Coorevits, Rodrigo Schramm, Eduardo Miranda, Richard Kronland-Martinet, Mitsuko Aramaki, Solvi Ystad
Pages: 88 - 108 - Tempo in Baroque music and dance(2016)
Authors: Esther Coorevits, Dirk Moelants
Pages: 523 - 545 - Single gesture cues for interpersonal synchronization(2016)
Authors: Esther Coorevits, Dirk Moelants, Marc Leman
Pages: 780 - Gestures in contemporary music performance : a method to assist the performer’s artistic process(2016)
Authors: Giusy Caruso, Esther Coorevits, Luc Nijs, Marc Leman
Pages: 402 - 422 - The influence of tempo on expressive timing: a multimodal approach(2015)
Authors: Esther Coorevits, Dirk Moelants, Pieter-Jan Maes, Marc Leman, Jane Ginsborg, Alexandra Lamont, Stephanie Bramley
Pages: 303 - 310