Publications
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Jan Dirk Baetens and Dries Lyna (eds.); Art Crossing Borders. The Internationalisation of the Art Market in the Age of Nation States, 1750-1914 University of Antwerp
Drunk on Capitalism. An interdisciplinary Reflection on Market Economy, Science and Art Vrije Universiteit Brussel
This interdisciplinary collection of essays probes the impact of the market economy on art and science in the post-Berlin Wall era.
Part One: Science for Sale, A Dollar Green Science Scene, focuses on new alliances of contemporary science and education with commercial funding, and the commodification of knowledge. Among the questions addressed here are: Does proximity to economic power eclipse freedom of knowledge? When science and ...
Part One: Science for Sale, A Dollar Green Science Scene, focuses on new alliances of contemporary science and education with commercial funding, and the commodification of knowledge. Among the questions addressed here are: Does proximity to economic power eclipse freedom of knowledge? When science and ...
A world of deception and deceit? Jacob Campo Weyerman and the eighteenth-century art market Ghent University
Art market and connoisseurship : a closer look at paintings by Rembrandt, Rubens and their contemporaries Ghent University
Drunk on capitalism : an interdisciplinary reflection on market economy, art and science Ghent University
The Belgian Brand: Ernest Gambart and the British Market for Modern Belgian Art, c. 1850-1870 KU Leuven
This article explores the impact of the art dealer Ernest Gambart and his circle on the commercial and artistic exchanges between the mid-nineteenth-century Belgian and British art scenes. As London's leading dealer in contemporary art, Gambart bought and imported works by many of the major Belgian artists of his time and almost single-handedly created a market for these artists in Britain, where the general interest in Belgian art greatly ...
The general exhibition of pictures of 1851: National schools and international trade in the mid-victorian art market KU Leuven
© 2016 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. This article examines a little-known but important moment in the history of the London art market and exhibition scene, namely, the organization of the General Exhibition of Pictures by the Living Artists of the Schools of All Countries, which was set up in London by Ossian Verdeau and Henry Mogford in 1851, concurrently with the Great Exhibition. It ...