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Do artists benefit from Arts Policy? The Position of Artists in the Flemish Performing Arts Policy. Vrije Universiteit Brussel
During the 1980s and 1990s continental European arts organisations invested largely into marketing and organisational management, resulting in professionalization, but also larger overhead costs. This raises important questions for the role and position of individual artists: do they benefit from professionalization? This paper examines the recent situation of individual artists in Flanders. In this paper we examine to what extent the growth of ...
Performing arts activating climate change awareness : hyphenated thinking in Common Dreams — Flotation School Universiteit Gent
The complexity of current ecological crises, such as climate change, calls for new modes of knowledge production. Common Dreams — Flotation School (2017) by the Portuguese, Brussels-based artist Maria Lucia Cruz Correia is a construction site and a pedagogical prototype that challenges the linear transfer of knowledge in scientific research.
Limitations for Performing Arts in an Online Environment Vrije Universiteit Brussel
no abstract
Do Artists Benefit from Arts Policy? The Position of the Performing Artists in Flanders (2001-2008). Vrije Universiteit Brussel Universiteit Antwerpen
Since the 1980s, continental European arts organisations have been investing considerably in marketing and organisational management, resulting in an increased professionalization of management, generally larger budgets, more substantial subsidies, as well as rising overhead costs. The question arises whether this process of professionalization of management has been to the benefit of the one with whom the artistic process starts and ends, ...
Performing arts and mediation technology in the period of lockdown Universiteit Gent
dvancements in digital technologies have become novel ways to enrich communication, expression, and transmission of arts knowledge. Technology is increasingly implemented in the performance space, as a source of inspiration for artists. Especially in this period of lockdown, mediation technology has turned out to be an essential tool for different aspects of social life, as in performing arts. With venues, schools and artistic activities closed, ...
Organizing artistic activities in a recurrent manner: (on the nature of) entrepreneurship in the performing arts KU Leuven
A majority of performing arts organizations active in classical music, theatre, and contemporary dance rely on funding from “third parties” in order to organize productions in a recurrent manner. We adopt an entrepreneurial perspective to inform the debate on the economic sustainability of performing arts organizations: Is it a “deficit” in entrepreneurial orientation that condemns these organizations to financial dependence? Relying on a ...
Swim together or sink alone? The performing arts in transition in Flanders (Belgium). Vrije Universiteit Brussel
Performing arts policy in Flanders
Tracing the essay in contemporary performing arts Universiteit Gent
Tracing how the essay appears in the field of performing arts and building on the legacy of the literary essay and its cinematic offspring, this article constructs a modest framework to observe how the essay appears in contemporary performances. What are the interfaces between the essay in performing arts and its literary and cinematic predecessors? Rather than developing a theory of ‘essay theatre’ as such, this article traces and detects how ...