Publicaties
Introduction, New histories and approaches to cinema in the Arab world Universiteit Antwerpen
Black God, White Devil (1964) Universiteit Antwerpen
Glauber Rocha was een prominente stem van de cinema novo, de nieuwe Braziliaanse cinema in de vroege jaren 1960 van de vorige eeuw. Als jong filmmaker en criticus zette hij mee de bakens uit voor een politiek geëngageerde avant-garde, die inhoudelijk en stilistisch een alternatieve filmtaal zocht voor Hollywood en de mainstream Braziliaanse cinema. Deus e o diabo na terra do sol is een van de centrale films in deze beweging.
Concentración de la propiedad y el control de salas de cine en el noreste de México, el caso del Circuito Rodríguez: 1904-1947 Universiteit Antwerpen
A multimethod study on contemporary young audiences and their film/cinema discourses and practices in Flanders, Belgium Universiteit Antwerpen
This chapter investigates the role films and cinema play in young people’s everyday lives. The objective is to test Henry Jenkins’s concept of “convergence culture” with young film audiences. The first part of the chapter is an overview of contemporary theories about film audiences in the digital age in which young people are at the forefront of participation in new technologies. Arguments celebrating audiences’ newfound agency through the use ...
El patrimonio documental en la Universidad de Oriente. Algunas reflexiones Universiteit Antwerpen
The article presented is a partial result of a doctoral research entitled “Valuing documentary heritage at the Universidad de Oriente” developed within the framework of the p4 Vlir international cooperation project “Safeguarding cultural heritage. Tools and practices for its integrated management in Santiago de Cuba and the eastern region of the country”, which is part of the Flemish Interuniversity Program for International Cooperation with the ...
Principio de una cultura cinematográfica urbana en Saltillo, México (1898-1940) Universiteit Antwerpen
Exploring film genre preferences through taste cultures Universiteit Antwerpen
This article explores contemporary film genre preferences through an in-depth sociological analysis of taste cultures in film preferences amongst youth aged 16–18 in Flanders (the northern Dutch-speaking part of Belgium). Building on a representative sample of 1015 respondents we statistically analyze the assumption that contemporary media audiences demonstrate mobility and that they are eager to shape their media consumption in accordance with ...
Mapping film programming across post-war Europe (1952) Universiteit Antwerpen Universiteit Gent
This data paper and the data collection from which it emerges aim to present a fully harmonized data set originating in several research projects on post-war cinema programming. The paper will reflect on the collection and structure of this aggregated data set, that consists of titles of feature films screened for public viewing in cinemas in the cities Bari (Italy), Antwerp and Ghent (Belgium), Gothenburg (Sweden), Leicester (United Kingdom) ...