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Narrative mediation and the case of audio drama Ghent University
The multimodal evocation of minds in audio drama Ghent University
This article discusses the construction of fictional minds in audio drama. Drawing upon social semiotics, cognitive narratology, and the narratology of audio drama, it starts from the premise that a character's consciousness in radio plays is shaped by the conventions, constraints, and affordances of the medium. This means that the semiotic modes of the radio play are exploited in a particular way to give listeners the impression that they are ...
Language, sound and textuality: Caryl Churchill's 'Identical Twins' as neo-avant-garde (radio) drama University of Antwerp
This chapter uses Caryl Churchill’s 'Identical Twins' (1968) as a case study to investigate the role of radio within the neo-avant-garde, relating it to the historical avant-garde and (late) modernism, as well as movements such as postdramatic theatre and the Theatre of the Absurd. While Churchill’s destabilising treatment of language and speech as sound or noise aligns her with avant-garde predecessors in England and abroad, the postwar ...
Dialogue in audiophonic fiction : the case of audio drama Ghent University
'Stage' Directions in the Radio Script: A Transgeneric Narratological Approach Vrije Universiteit Brussel
Radio after Modernism / Modernism after Radio University of Antwerp
While it is beyond all doubt that the field of modernism has contributed enormously to the emancipation of literary radio studies in recent years, it has also imposed limitations on the period and authors we investigate, as well as the critical questions we ask ourselves as researchers. This article therefore sets out to assess what literary studies of radio can offer the field of modernism beyond the efforts that have already been made, owing ...
Tuning in to the neo-avant-garde : experimental radio plays in the postwar period Ghent University
Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium's significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical ...