Formative use of sound and dynamics. The performance of Bach's St. John Passion considered as an autonomic aesthetic appearance. KU Leuven
Formative use of sound and dynamics. The performance of bach's
In the second half of the 19th century a making of music was developed in Germany in which sounds are related to each other through gradually changing intensity, both in terms of loudness and tempo. In this music-making the melody is not formed on and against a pulse with fixed metrical accents. Music develops rather from attention to sound into motives and then into larger ...