Intermediality and transmediality in Georges Rodenbach and Maurice Maeterlinck. Theatre, opera and cinema adaptations
ADAPTATION AND CONVERGENCE OF MEDIA: "HIGH" CULTURE INTERMEDIALITY VERSUS POPULAR CULTURE INTERMEDIALITY
"Mit der Kinobrille gesehen"? On Text and Intermediality in Felix Salten's Pantomime Das Lockende Licht (1914)
'Intermediality' as an aesthetic program: Gustav Mahler's Lieder eines fahrenden Gesellen as a post-romantic response to Wilhelm Müller's Winterreise and Die schöne Müllerin