Projects
Rethinking situated artistic practices. Towards collective places for imagination KU Leuven
This transdisciplinary practice-based research in the arts draws from my site-specific installation and situated performance artwork. I understand situated artistic practices as the constitution of temporary places for exploring, exchanging, and creating knowledge in collectivity through diverse art forms such as temporary sculpture constructions, expanded drawing and body movement. These practices are challenging commonalities between ...
IMAGINATION : IMAGing bIomarkers for diagNosis, therAnosTIcs and drug develOpmeNt KU Leuven
The Future of the Invisible and its Mediatization–'Deadly Germs' in the Imagination of Infectious Disease Experts, the State, and Popular Culture in Japan, 1918-1958 KU Leuven
The Future of the Invisible and its Mediatization – ‘Deadly Germs’ in the Imagination of Infectious Disease Experts, the State, and Popular Culture in Japan, 1918-1958 KU Leuven
The imagination of bacteria and viruses – invisible to the naked eye – was ubiquitous in popular culture from the Interwar Period onwards. State actors such as politicians, bureaucrats involved in the rapidly growing public health sector and military officers, as well as medical experts working on infectious
diseases, let their imagination run free on the hunt for ‘deadly germs’. Future visions of pandemics after
the ‘Spanish Flu’ ...
The Future of the Invisible and its Mediatization – ‘Deadly Germs’ in the Imagination of Infectious Disease Experts, the State, and Popular Culture in Japan, 1918-1958 KU Leuven
The imagination of bacteria and viruses – invisible to the naked eye – was ubiquitous in popular culture from the Interwar Period onwards. State actors such as politicians, bureaucrats involved in the rapidly growing public health sector and military officers, as well as medical experts working on infectious
diseases, let their imagination run free on the hunt for ‘deadly germs’. Future visions of pandemics after
the ‘Spanish Flu’ ...
History as “Fairy-ground”: Scottish and Irish Female Voices and the Gothic Imagination (1780-1830) KU Leuven
The project inscribes itself in Gothic criticism’s recognition of the temporal dynamic of Gothic narratives. It articulates the Gothic as an aesthetic that negotiates the temporal and ideological relation between past and present. The study examines how female authors from Scotland and Ireland stage the past in Gothic texts in the Romantic Period (1780-1830). In particular, it focuses on the emplotment and anachronisation of the ...
The Environmental Imagination in African Francophone Literature. An Ecopoetic Inquiry into Maghrebi, Sub-Saharan and Indian Ocean Islands Fiction (1990-present) Ghent University
Ecological issues occupy an ever-growing place in contemporary literature. I intend to examine how francophone novels and novellas by Maghrebi, Sub-Saharan and Indian Ocean islands authors address the environmental problems of Africa. As there was an ecological leap forward in the African literary imagination as a consequence of market globalisation and the establishment of capitalist regimes after fall of the Berlin Wall, I will focus on ...
SCHENK HATTORI, A PRACTICE OF PERCEPTION AND IMAGINATION KU Leuven
This is a design-based research (research in practice – Schenk Hattori) to reveal the anatomy of phenomena that are able to induce constant re-creation through some kind of newness suggesting the existence of real enchantment.
The activity of physical presence on our body, has been rendered as a subject rather absent for more than fifty years. (Jarzombek) Its intentionality, its presence and its meaning can differ from the spectacular ...