Publications
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Theorizing fiction in film non/fiction : some thoughts on recent German film theory Ghent University
Evaluation of a glassless photographic film scanner for high-gradient radiochromic film dosimetry Ghent University
A method of increasing the film intrinsic robustness of radiochromic film dosimetry Ghent University
Moderately queer programming at an established LGBTQ film festival : a case study of BFI Flare: London LGBT Film Festival Ghent University
Recycle film cultures in small Western European film industries Ghent University
Remakes, sequels, reboots, spin-offs, and other forms of imitative filmmaking are part of ‘recycle film cultures’ and have become a central part of commercial filmmaking globally (Forrest & Koos, 2002; Cuelenaere, Willems & Joye, 2021). Research concerning this phenomenon has been mainly focused on Hollywood due to its dominant position in the film industry (Klein & Palmer, 2016; Henderson, 2014). However, while Hollywood is ...
From Language to Film Style: Reassessing the Role of Conceptual Metaphor in Cognitive Film Studies KU Leuven
This article presents the views of two strands of film scholarship, each taking the tools of Conceptual Metaphor Theory (CMT) into suitable areas of Cognitive Film Studies. In the first section we consider the im- plications of CMT for the study of two kinds of languages about film, namely (1) the kind of ordinary language audiences use to talk about their viewing experience and (2) the kind of theoretical language film scholars use to reason ...