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Darum sind Pronominaladverbien eine Herausforderung für Deutschlerner: eine korpusbasierte kontrastive Interimssprachenanalyse hierzu University of Antwerp
Introduction : ENN5 special issue of Frontiers of Narrative Studies Ghent University
RETS: een interdisciplinaire studie naar de evolutie van de Zenne in Brussel (Br.) Vrije Universiteit Brussel
A multimethodological evaluation of arsenic in the Zenne River, Belgium: Sources, distribution, geochemistry, and bioavailability Vrije Universiteit Brussel
The distribution and geochemistry of arsenic (As) in water and sediments of the Zenne River, a small urban river flowing through Brussels (Belgium), were assessed based on the results of 18 sampling campaigns performed between 2010 and 2021. In general, concentrations of As sharply increase between Vilvoorde and Eppegem and are up to 6–8 times higher in the section downstream of Eppegem in comparison to the upstream part of the Zenne. The ...
Anne Finch's 'contemn'd Retreat' and the politics of lyric Ghent University
This article reevaluates Anne Finch’s reputation as a poet and considers how, until recently, critics interpreted her poetry according to a romanticized model of lyric: one whose modeling of introspective feeling and a withdrawal from the contemporary world conditions an apolitical understanding of poetic practice. Beginning with an assessment of modern theories of lyric, the article proceeds to trace a history of the construction of Finch as a ...
Recalibrating categorisation: A semiological reading of Anne Carson’s Decreation Vrije Universiteit Brussel
This article explores how the notion of decreation manifests itself in the signifying strategies of Anne Carson’s Decreation: Poetry, Essays, Opera (2005). By revisiting Carson’s stereoscopic poetics and Wolfgang Iser’s branch of reader-response criticism, the article conceptualises these signification strategies, which include generic hybridity and multimodality, as guiding devices that usher the reader’s perspective towards a stereoscopic ...
L'Etat de danse : 'Ottone, Ottone' (1991) van Anne Teresa De Keersmaeker en Walter Verdin Ghent University
This essay comments on the video film 'Ottone Ottone', made by the Belgian choreographer Teresa De Keersmaeker and the Belgian video-artist Walter Verdin on the basis of the dance production of the same name (1991). The argument is that the film succeeds in capturing the meaning of Monteverdi's opera better than any scenical performance of the opera, due to the stratification of the narrative, the libretto, the musical performance, the dance and ...