Publications
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Concentración de la propiedad y el control de salas de cine en el noreste de México, el caso del Circuito Rodríguez: 1904-1947 University of Antwerp
Introduction, New histories and approaches to cinema in the Arab world University of Antwerp
Black God, White Devil (1964) University of Antwerp
Glauber Rocha was een prominente stem van de cinema novo, de nieuwe Braziliaanse cinema in de vroege jaren 1960 van de vorige eeuw. Als jong filmmaker en criticus zette hij mee de bakens uit voor een politiek geëngageerde avant-garde, die inhoudelijk en stilistisch een alternatieve filmtaal zocht voor Hollywood en de mainstream Braziliaanse cinema. Deus e o diabo na terra do sol is een van de centrale films in deze beweging.
A multimethod study on contemporary young audiences and their film/cinema discourses and practices in Flanders, Belgium University of Antwerp
This chapter investigates the role films and cinema play in young people’s everyday lives. The objective is to test Henry Jenkins’s concept of “convergence culture” with young film audiences. The first part of the chapter is an overview of contemporary theories about film audiences in the digital age in which young people are at the forefront of participation in new technologies. Arguments celebrating audiences’ newfound agency through the use ...
El patrimonio documental en la Universidad de Oriente. Algunas reflexiones University of Antwerp
The article presented is a partial result of a doctoral research entitled “Valuing documentary heritage at the Universidad de Oriente” developed within the framework of the p4 Vlir international cooperation project “Safeguarding cultural heritage. Tools and practices for its integrated management in Santiago de Cuba and the eastern region of the country”, which is part of the Flemish Interuniversity Program for International Cooperation with the ...
Principio de una cultura cinematográfica urbana en Saltillo, México (1898-1940) University of Antwerp
Comparative, entangled, parallel and 'other' cinema histories University of Antwerp Ghent University
Moving pictures in motion University of Antwerp
In recent years, spatial digital tools have become an important part of New Cinema History research. However, the use of spatial visualisation methods remains inconsistent and the ground norms have yet to be established, especially in a comparative approach. In this paper, we explore the possibilities of working with spatial visualisation: what are the benefits of its use and what new perspectives on a given problem can this approach reveal? ...
Structured film-viewing preferences and practices University of Antwerp
In today’s media cultural environment audiences seem to have access to virtually any movie, at any time, going beyond the traditional restrictions of windowing, programming and broadcast schedules. This chapter goes into the question whether this increased accessibility also resulted into different film consuming practices and preferences, through a survey on contemporary film audiences and their individual feature film preferences and ...