< Back to previous page
Researcher
Bart Philipsen
- Disciplines:Literatures in German, Theatre science
Affiliations
- German Literature, Brussels Campus (Research group)
Responsible
From1 Aug 2019 → Today - German Literature, Leuven (Research group)
Responsible
From1 Aug 2019 → Today - German Literature, Leuven (Research group)
Member
From1 Aug 2016 → Today
Projects
1 - 10 of 22
- Surfacing the submarine myth. An intermedial, myth-critical and cultural-critical analysis of submarine narrativesFrom1 Oct 2021 → TodayFunding: BOF - projects
- Surfacing the submarine myth. An intermedial, myth-critical and cultural-critical analysis of submarine narrativesFrom1 Oct 2021 → TodayFunding: Own budget, for example: patrimony, inscription fees, gifts
- Remembering the Possible. Literature, Affect and Activist Memory in Germany, 1848-1900.From1 Oct 2021 → TodayFunding: FWO senior postdoctoral fellowship
- Smoldering Narratives. The Literary Afterlife of the Thirty Years War (1618-1648) in 21st-Century German CultureFrom1 Oct 2020 → TodayFunding: FWO junior postdoctoral fellowship
- Reflecting and resisting. Polish theatre and politics of memory since 2005From1 Nov 2019 → TodayFunding: FWO fellowships
- The well-made play: (not) written all over again?From15 Sep 2019 → 24 Aug 2022Funding: Own budget, for example: patrimony, inscription fees, gifts
- ‘Mise en Relation’ - performing and creating theatre through the interactions with material realityFrom1 Oct 2018 → 1 Oct 2022Funding: Own budget, for example: patrimony, inscription fees, gifts
- The Poetics of Precarity: Representations of the Worker in German Literature in the Aftermath of the “Great Depression” (1873-1914)From1 Oct 2018 → 30 Sep 2021Funding: FWO fellowships
- The poetics of precarity: Representations of the worker in German literature in the aftermath of the 'Great Depression' (1873-1914)From1 Oct 2017 → 30 Sep 2018Funding: BOF - Other initiatives
- BETWEEN IDEA AND MUSICAL STRUCTURE On the reception of Adorno's notion of 'musical material' in the aesthetic discourse and selected compositions of a prominent contemporary American-German composers' network.From1 Oct 2016 → 3 Nov 2020Funding: FWO fellowships
Publications
1 - 10 of 53
- Shakespeare is dead! Tekstdramaturgie in het theaterwerk van Paul Pourveur(2022)
Authors: Geert Kestens, Bart Philipsen
- Literary Representations of Precarious Work, 1840 to present(2022)
Authors: Michiel Rys, Bart Philipsen
- 100 % Rimini Protokoll: een gesprek met Helgard Haug(2020)
Authors: Bart Philipsen
Pages: 1 - 8 - Knallharte Gedächtniskunst: Friedrich Hölderlin als Intertext in Friedrike Mayröckers Gedichtband "Scardanelli"(2020)
Authors: Bart Philipsen
Pages: 115 - 135Number of pages: 21 - "Gesänge"(2020)
Authors: Bart Philipsen
Pages: 359 - 387Number of pages: 29 - Imaginations of Female Sovereignty in German Women Writers' Literature (1789-1848)(2020)
Authors: Aude Defurne, Anke Gilleir, Bart Philipsen
- Das preuβische Phantasma. Imaginationen von Preuβen in der deutschen Literatur des 20. und 21. Jahrhunderts(2019)
Authors: Hannelore Roth, Bart Philipsen, Anke Gilleir
- 'Wie auf den Schultern eine / Last von Scheitern': Een vers van Hölderlin vertalen(2019)
Authors: Bart Philipsen, Ewout Van der Knaap, Cees Koster
Pages: 27 - 33Number of pages: 7 - Dramaturgien des Säumens. Postdramatik und Posthumanismus in drei Aufführungen von Hölderlins "Der Tod des Empedokles" (Grüber, Castellucci, Theater Zuidpool)(2018)
Authors: Bart Philipsen
Pages: 61 - 78 - Old Quarrels and New Liaisons. On the Vexed Relationship between Theater Studies and Literary Studies(2018)
Authors: Bart Philipsen, Timmy De Laet
Pages: 100 - 129